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| Arthur Sze, IAIA Faculty |
Arthur Sze graduated
Phi Beta Kappa from the University of California at Berkeley (B.A.)
in 1972. He is the author of eight books of poetry, including Quipu
(Copper Canyon Press, 2005), The Silk Dragon: Translations from
the Chinese (2001), The Redshifting Web: Poems 1970-1998 (1998), and
Archipelago (1995). His poems have appeared internationally in
such magazines and anthologies as: The American Poetry Review, Boston
Review, Carnet de Route (Paris), Chicago Review, Conjunctions,
Dim Sum (Hong Kong), Field, The Kenyon Review, Kyoto Journal
(Kyoto), Manoa, Orion, The Paris Review, Ploughshares, Unitas (Taipei),
Virginia Quarterly Review, The Best American Poetry (2004), The
Gift of Tongues, Photographers, Writers, and the American Scene: Visions
of Passage, Poets of the New Century, Pushcart Prize XXI, and Verse
and Universe. His poems have been translated into Chinese, Italian,
Romanian, and Turkish. In 2005, he has given poetry readings at Yale
University, Widener University, Colorado College, Arizona State University,
Vermont Studio Center, and at Bread Loaf Writers’ Conference.
His teaching experience has included residencies at Brown University,
Bard College, Naropa University; workshops at Bread Loaf Writers’
Conference, Napa Valley Writers’ Conference, and Port Townsend
Writers’ Conference; and he was also the 2004-2005 Elizabeth Kirkpatrick
Doenges Visiting Artist at Mary Baldwin College. He serves as a contributing
editor to Manoa: An International Journal of Pacific Writing.
He is a member of the Creative Writing faculty and has taught at the
Institute of American Indian Arts for over twenty years.
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His literary awards include a Western States Book Award (2002), a three-year
Lila Wallace-Reader’s Digest Writers’ Award (1998-2000),
an Asian American Literary Award (1999), a Balcones Poetry Prize (1999),
a John Simon Guggenheim Memorial Foundation Fellowship (1997), an American
Book Award (1996), a Lannan Literary Award for Poetry (1995), three
Witter Bynner Foundation for Poetry fellowships (1983, 1994, 1997),
and two National Endowment for the Arts Creative Writing fellowships
(1982, 1993).
"Teaching at the
Institute of American Indian Arts has been an exciting privilege. I
have worked, to the best of my ability, to inspire, stimulate, and challenge
students to grow intellectually, emotionally, and personally. I am pleased
to see a younger generation of Native writers emerge."
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