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		<title>IAIA Receives $50,000 USDA Grant for Student Research</title>
		<link>http://www.iaia.edu/2012/08/iaia-receives-50000-usda-grant-for-student-research/</link>
		<comments>http://www.iaia.edu/2012/08/iaia-receives-50000-usda-grant-for-student-research/#comments</comments>
		<pubDate>Mon, 06 Aug 2012 22:04:07 +0000</pubDate>
		<dc:creator>Editor</dc:creator>
				<category><![CDATA[IAIA News]]></category>

		<guid isPermaLink="false">http://www.iaia.edu/?p=14767</guid>
		<description><![CDATA[The Institute of American Indian Arts (IAIA) has received a $50,000 USDA grant for student research in agriculture and nutrition.     &#160; The funding will also host a visiting scholar from New Mexico State University&#8217;s Sustainable Agriculture Science Center in Alcalde, N.M., to help students study agriculture. Students will learn about soil preparation, irrigation methods [...]]]></description>
			<content:encoded><![CDATA[<div class="page-restrict-output"><p>The Institute of American Indian Arts (IAIA) has received a $50,000 USDA grant for student research in agriculture and nutrition.    </p>
<p>&nbsp;</p>
<p>The funding will also host a visiting scholar from New Mexico State University&#8217;s Sustainable Agriculture Science Center in Alcalde, N.M., to help students study agriculture. Students will learn about soil preparation, irrigation methods in dry climates, and nutritional benefits of organically produced foods. They will also measure family participation in a farming or gardening and healthy eating program.</p>
<p><div id="attachment_14771" class="wp-caption alignright" style="width: 216px"><a href="http://www.iaia.edu/2012/08/iaia-receives-50000-usda-grant-for-student-research/garden2/" rel="attachment wp-att-14771"><img class="wp-image-14771" title="Garden2" src="http://www.iaia.edu/wp-content/uploads/2012/08/Garden2-300x225.jpg" alt="" width="206" height="154" /></a><p class="wp-caption-text">Lettuce seedlings in IAIA&#39;s greenhouse</p></div>
<p>&nbsp;</p>
<p>In 1994, Congress approved IAIA land grant status, a provision given to tribally-controlled colleges and universities to better help serve their consumers through higher education programs involving teaching, community outreach and research. The 1994 Land Grant Institutions primarily serve Native American populations typically located in remote, underserved communities that lack access to higher education. Relevant culturally sensitive curriculum is included so that Native American students and communities can incorporate their cultural and historical identity. The USDA Cooperative State Research Education and Extension Service provides the funds to support the Tribal Colleges Research Grants Program.</p>
<p>&nbsp;</p>
<p>In the past two years, IAIA&#8217;s Center for Lifelong Education (CLE) has developed a campus demonstration garden, growing peaches, lettuce, onions and other fruits and vegetables to increase awareness of traditional foods production, as well as provide work-study and internships to students interested in learning about or enhancing their knowledge of regional tribal farming and alternative methodologies in agriculture. A greenhouse has been built on campus with a USDA Extension grant to serve as an alternative and experiential classroom.  </p>
<p>&nbsp;</p>
<p>Although faculty have integrated agricultural curriculum and outreach opportunities in the Indigenous Liberal Studies and Museum Studies departments, student agriculture and scientific research has been lacking. Some students have stated that they want to grow their own foods in IAIA&#8217;s garden and monitor their families&#8217; financial and health benefits.</p>
<p>&nbsp;</p>
<p><a href="http://aces.nmsu.edu/academics/aeab/alcalde----cooperative-e.html" shape="rect" target="_blank">R. Edmund Gomez</a>, NMSU visiting scholar who has worked with tribal communities, will mentor IAIA students in a study of small-scale traditional food crop production and the nutritional benefits and outcomes. The scholar in turn will learn about the tribal college system, including outreach and community-based programs, as well as share his/her knowledge of research in regional small family farming.</p>
<p>&nbsp;</p>
<p>The research team will also provide mentoring to Native high school students in agriscience and culinary arts at the <strong>Santa Fe Indian School</strong> as part of IAIA&#8217;s dual-credit and integrated curriculum program in the two-year project starting in September.</p>
<p>&nbsp;</p>
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<div><em>Campus demonstration garden</em> </div>
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<p>Results of the student research will be presented at the annual CLE Health and Wellness conference, and students will be encouraged to co-write and publish their findings in scholarly journals, such as the <em>Tribal College Journal,</em> and agricultural and health-related publications. The students and families will also generate a cookbook, which will be available for sale to the campus, tribal and Santa Fe communities.</p>
<p>&nbsp;</p>
<p>IAIA is one of several tribal colleges across the nation engaging in programs to revitalize traditional food cultivation, harvesting and cooking. According to participants at a previous FALCON (what is FALCON) conference, more work needs to be done in the area of food security and affordability.</p>
<p>&nbsp;</p>
<p>&#8220;For 50 years, the Institute of American Indian Arts has served as a premier institution whose efforts are critical to protecting the heritage and culture of Native American communities, not only across New Mexico, but across the country, while exploring the latest influences that are reflected in the contemporary work of incredible artists,&#8221; said U.S. House Rep. Ben Ray Luján D- N.M., who announced the grant Friday. &#8220;IAIA is instrumental in nurturing the next generation of artists in Indian Country, as well as promoting and protecting the work of its students. Federal grants like this one are critical to bolster their efforts and ensure that IAIA has the resources it needs to continue to provide its students with the opportunity to inspire the community with their art work.&#8221;</p>
<p>&nbsp;</p>
<p><strong>For more information</strong> about IAIA&#8217;s visiting scholar and student agriculture and nutrition research program, contact<strong> Luke Reed</strong> at <strong>505-424-5950</strong> or <a href="mailto:lreed@iaia.edu" shape="rect" target="_blank">lreed@iaia.edu</a>. <strong>For more information</strong> about <strong>IAIA&#8217;s Center for Lifelong Learning</strong>, go to <a href="http://www.iaia.edu/cle/" shape="rect" target="_blank">www.iaia.edu/cle/</a>.   </p>
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		<title>IAIA President Dr. Robert Martin Interviewed on &#8220;Issues and Answers&#8221;</title>
		<link>http://www.iaia.edu/2012/06/iaia-president-dr-robert-martin-interviewed-on-issues-and-answers/</link>
		<comments>http://www.iaia.edu/2012/06/iaia-president-dr-robert-martin-interviewed-on-issues-and-answers/#comments</comments>
		<pubDate>Tue, 12 Jun 2012 17:00:02 +0000</pubDate>
		<dc:creator>Editor</dc:creator>
				<category><![CDATA[IAIA News]]></category>

		<guid isPermaLink="false">http://www.iaia.edu/?p=14300</guid>
		<description><![CDATA[IAIA President Dr. Robert Martin will appear on KCHF TV&#8217;s &#8220;Issues and Answers,&#8221; a public affairs show airing on Channel 11 in New Mexico. Dr. Martin discusses the campus and its 50-year history. &#8220;Issues and Answers&#8221; with Dr. Martin will air at 6:30p.m. June 13. Other air times inlcude: 10 a.m. June 22 7:30 p.m. [...]]]></description>
			<content:encoded><![CDATA[<div class="page-restrict-output"><p>IAIA President Dr. Robert Martin will appear on KCHF TV&#8217;s &#8220;Issues and Answers,&#8221; a public affairs show airing on Channel 11 in New Mexico. Dr. Martin discusses the campus and its 50-year history.</p>
<p><div id="attachment_14299" class="wp-caption alignright" style="width: 262px"><a href="http://www.iaia.edu/2012/06/iaia-president-dr-robert-martin-interviewed-on-issues-answers/photo-dr-m/" rel="attachment wp-att-14299"><img class="wp-image-14299" title="photo Dr. M" src="http://www.iaia.edu/wp-content/uploads/2012/06/photo-Dr.-M-300x224.jpg" alt="" width="252" height="188" /></a><p class="wp-caption-text">Dr. Robert Martin with Host Diane Kinderwater</p></div>
<p>&#8220;Issues and Answers&#8221; with Dr. Martin will air at <strong>6:30p.m. June 13.</strong> Other air times inlcude:</p>
<ul>
<li>10 a.m. June 22</li>
<li>7:30 p.m. June 23</li>
<li>2 p.m. June 24</li>
<li>10 p.m. June 30</li>
</ul>
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		<title>Winter Exhibition Schedule 2012</title>
		<link>http://www.iaia.edu/2012/01/winter-exhibition-schedule-2012/</link>
		<comments>http://www.iaia.edu/2012/01/winter-exhibition-schedule-2012/#comments</comments>
		<pubDate>Thu, 12 Jan 2012 17:29:12 +0000</pubDate>
		<dc:creator>Editor</dc:creator>
				<category><![CDATA[IAIA News]]></category>
		<category><![CDATA[Museum News]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.iaia.edu/?p=12052</guid>
		<description><![CDATA[                     FOR IMMEDIATE RELEASE  1/3/12       Contact Wendy Ortega  O (505) 424-2351 wortega@iaia.edu   Museum of Contemporary Native Arts  Winter Exhibition Schedule 2012 &#160; Santa Fe, NM &#8211; Five decades of art education at the Institute of American Indian Arts (IAIA) has produced a large body [...]]]></description>
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<p><strong>FOR IMMEDIATE RELEASE </strong></p>
<p><strong>1/3/12 </strong></p>
<p>  </p>
</div>
<div> </p>
<p align="right"><strong>Contact</strong></p>
<p align="right">Wendy Ortega </p>
<p align="right">O (505) 424-2351</p>
<p align="right">wortega@iaia.edu</p>
</div>
<p align="center"> </p>
<div align="center">
<p><strong>Museum of Contemporary Native Arts </strong></p>
<p><strong>Winter Exhibition Schedule 2012</strong></p>
<p>&nbsp;</p>
<p align="left">Santa Fe, NM &#8211; Five decades of art education at the Institute of American Indian Arts (IAIA) has produced a large body of thought-provoking work. Beginning in January, the Museum of Contemporary Native Arts (MoCNA) offers five exhibitions in its Winter line-up featuring art from its vast national collection. </p>
<p align="left">&#8220;MoCNA rings in the New Year with new exhibitions showcasing IAIA alumni&#8217;s talent and contributions to the art world. Through these thoughtful and informative exhibitions, MoCNA challenges pre-conceived notions of what is expected from Native arts,&#8221; said Patsy Phillips, Director, MoCNA. &#8220;First up is an impressive collection of the work of Iroquois artists who attended the Institute from its beginnings in 1962. We hope the public will begin a journey with us through 50 years of IAIA and the unique perspectives of its students.&#8221; </p>
<p align="left"> </p>
<p align="left">Jan 21 &#8211; July 31 </p>
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<div>Joey David &#8212; Keeper of the Eastern Door</div>
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<div align="left"><strong>Under The Influence: Iroquois Artists at IAIA (1962-2012)</strong></div>
<p align="left">Curators: Ryan Rice and Colette Lemmon </p>
<p align="left">The Institute of American Indian Arts plays an important role in contributing to a growing Indigenous diaspora specifically through the creative process, instilling the spirit of a contemporary community while at the same time maintaining a deeper attachment to autonomy, home and nation each student arrives with. </p>
<p align="left">More than 150 Iroquois artists have attended IAIA since 1962. Many of these individuals have built distinguished careers upon the creative foundations provided by the Institute, bringing forth imaginative, articulate and eloquent visions. <em>Under the Influence: Iroquois Artists at IAIA</em> is a visual testament to the stimulating atmosphere of interchange and experimentation generated by the Institute on one of the most visible and cohesive indigenous groups in the northeast.</p>
<p align="left">Selected works will map 50 years of artistic cultivation related to the IAIA. Together as members of the Iroquois Confederacy, a collective history continues to be affirmed and reexamined through symbolism, narrative, color, and form (contemporary and traditional) which situates this broad range of art in relation to an Iroquois worldview that includes themes shared by many Indigenous nations. Drawing from a rich expressive vocabulary, the exhibition is comprised of pottery, stone sculpture, photography, jewelry, painting, printmaking, installation, mixed and multi media works that convey strong visual statements on identity, as well as society, tradition, and survival &#8212; a stance both initiated and nurtured by the IAIA. </p>
<p align="left">Artists: Coleen Bins, Natasha Smoke Santiago, Brenda Hill, Tom Huff, Judy Jourdan, Sue Ellen Herne, alex Jacobs, Katsitsionni Fox, Beverly DeCouteau, Rose Kerstetter, Kenneth Metoxen, Ralph Cornelius, Preston Hill, Peter B. Jones, Fred Gonyea, Frank Buffalo Hyde, Dwayne Sylvester, Joey David, Steven Chrisjohn Sr., Julie Chrisjon Bush, Roger Perkins, Linley Logan, Randle Charles, Kenneth Williams, Dennis Williams, Jamison Chas Banks, Hoka Skenadore, Bruce King.</p>
<p align="left"> </p>
<p align="left">Jan 21 &#8211; March 31</p>
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<td rowspan="1" colspan="1">Peter B. Jones&#8211;Last Dance</td>
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<p align="left"><strong>Peter B Jones: Prophecy</strong></p>
<p align="left">Peter B. Jones, an Onondaga master potter who works with both traditional and contemporary aesthetics, will present <em>Prophecy</em>, a timely exhibition pertaining to 2012 Indigenous prophecies and incorporating themes of ecology, creation, demise and the future according to Iroquois traditional teachings and other cultural beliefs. As one of IAIA&#8217;s first graduates, Jones will also initiate, through his exhibition, IAIA&#8217;s 50th Anniversary. </p>
<p align="left">The exhibition <em>Prophecy</em> is made possible in part by New Mexico Arts, a division of the Department of Cultural Affairs, and the National Endowment for the Arts.</p>
<p align="left">                                   </p>
<p align="left"><strong>VISION Projections</strong></p>
<p align="left">The <em>VISION Projections</em> is a program of 4 short films by emerging directors <strong>Carey Tully</strong>,<strong>Dylan McLaughlin</strong>, <strong>Ryan Begay</strong> and <strong>Marcella Ernest</strong>, all of who have attended the IAIA. Artists bring to the screen, their interpretation of the concept &#8220;vision&#8221;. This project culminates the Museum of Contemporary Native Arts Vision Project, a Ford Foundation supported initiative to advance the dialogue on contemporary native art. </p>
<p align="left">The <em>VISION Projections</em> are generously supported by a grant from the Ford Foundation.</p>
<p align="left"> </p>
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<td rowspan="1" colspan="1">Wendy Red Star&#8211;Rez Car</td>
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<div align="left"><strong>Wendy Red Star: Rez Car</strong></div>
<p align="left">Having grown up on the Crow Indian Reservation, artist Wendy Red Star always had a fondness for the broken down reservation cars that litter the landscape. Often these cars are viewed as blemishes that indicate laziness, poverty, and a deficiency in education. However, Red Star has come to recognize the abandoned vehicles as objects of beauty that represent a resilient and proud community that overcomes obstacles to keep its culture alive.</p>
<p align="left"> </p>
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<p align="left"><strong> </strong></p>
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<div> Richard Glazer-Danay</div>
<div>Shake, Rattle &amp; Roll</div>
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<p><strong>Richard Glazer Danay: Shake, Rattle &amp; Roll</strong></p>
<p align="left">In the exhibition<em> Shake, Rattle &amp; Roll</em>, Mohawk artist Richard Glazer Danay reflects upon traditional material culture and sources new materials to make rattles and its relevancy to culture and ceremony in the 21st century.  Rattles are instruments still employed in scared rituals among Native Americans and are commonly made from natural materials such as animal horns, bark, shell, bones, stones and gourds. At the beginning of the 19th century, man-made materials were integrated into the rattles &#8212; like the Calumet baking powder tin can that sometimes replaced traditional materials in function, not spirituality.  Glazer Danay mines discount stores and other places for ready-made objects he transforms into contemporary rattles as a means to recognize and revitalize tradition.  </p>
<p align="left">Opening Reception for all exhibitions will take place on Friday, January 20, 2012 from 5pm-7pm. Artist talks with Richard Glazer Danay and Peter B Jones will take place on Saturday, January 21 and Sunday, January 22, 2012. Time TBA. </p>
<p align="left"> </p>
<p align="left"><a href="http://r20.rs6.net/tn.jsp?llr=peqolmcab&amp;et=1108991878426&amp;s=-1&amp;e=00196zjjh7y3JbSBMb3raYn8vsEYRtmkjwH_Mj2m0zqH2kJVB362Ux3VR4cYbfyhTqwqJeOmH0ByauX2ljxR6eNizBPnNIpTgQvfhboDgkf_AQ=" shape="rect" target="_blank">www.mocna.org</a> </p>
<p align="left"><strong>Museum of Contemporary Native Arts</strong></p>
<p align="left"><strong>108 Cathedral Place</strong></p>
<p align="left"><strong>Santa Fe, New Mexico 87501</strong></p>
<p align="left"><strong>Info- 505-983-1666</strong></p>
<p align="left"> </p>
<p align="left">Hours:</p>
<p align="left">Wednesday &#8211; Saturday 10 &#8211; 5 / Sunday 12 &#8211; 5 / Monday 10 &#8211; 5 / Closed on Tuesday</p>
<p align="left">MoCNA galleries are closed from January 1-19; MoCNA store is open. MoCNA is located in downtown Santa Fe, New Mexico at 108 Cathedral Place. </p>
<p align="left"> </p>
</div>
<div align="center">
<div align="left">For more information about the exhibitions, please call 505.424.2351 or email<a href="mailto:wortega@iaia.edu?" shape="rect" target="_blank">wortega@iaia.edu</a>. For more information about IAIA, please visit <a href="http://r20.rs6.net/tn.jsp?llr=peqolmcab&amp;et=1108991878426&amp;s=-1&amp;e=00196zjjh7y3JaltF13OWeZFfvSLhR1_wrPDfAwzLwScSJkpin7T4sXfaaEirXWhFPuR8Jvt2Cv-jCtSWr816Rx1yeiH-BVM3bytyb0PowaTQA=" shape="rect" target="_blank">www.iaia.edu</a>.</div>
<p>  </p>
<div align="center">###</div>
<p>&nbsp;</p>
<div align="left">
<p>The Museum of Contemporary Native Arts (MoCNA), a center of the Institute of American Indian Arts (IAIA), is dedicated to increasing public understanding and appreciation of contemporary Native art, history and culture through presentation, collection, acquisition, preservation, and interpretation. TheMoCNA is the pre-eminent organizer of exhibitions devoted exclusively to the display of dynamic and diverse arts practices representative of Native North America.</p>
<p>&nbsp;</p>
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<p align="center"><img src="http://ih.constantcontact.com/fs081/1102073774223/img/295.jpg" alt="IAIA Logo" name="ACCOUNT.IMAGE.295" width="121" height="68" align="right" border="0" hspace="5" vspace="5" /></p>
<p align="center"> </p>
<p align="center"><strong> </strong><strong>THE INSTITUTE OF AMERICAN INDI</strong><strong>AN ARTS</strong></p>
<p align="center"><strong> 83 A Van Nu Po Road. Santa Fe, NM 87508  </strong></p>
<p align="center"><strong>ww.iaia.edu</strong></p>
<p align="left"> </p>
<p align="left">For 50 years, the Institute of American Indian Arts has played a leading role in the direction and shape of Native expression. As it has grown and evolved into an internationally acclaimed College, MoCNA and Center for Lifelong Education, IAIA&#8217;s dedication to the study and advancement of Native Arts and Cultures is matched only by its commitment to student achievement and the preservation and progress of the communities they represent. </p>
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		<title>Melissa Melero Willow and Bone</title>
		<link>http://www.iaia.edu/2011/12/melissa-melero-willow-and-bone/</link>
		<comments>http://www.iaia.edu/2011/12/melissa-melero-willow-and-bone/#comments</comments>
		<pubDate>Thu, 29 Dec 2011 21:26:59 +0000</pubDate>
		<dc:creator>edMuseum</dc:creator>
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		<title>IN SESSION: A Conversation with John Feodorov and Lara Evans</title>
		<link>http://www.iaia.edu/2011/01/20110115/</link>
		<comments>http://www.iaia.edu/2011/01/20110115/#comments</comments>
		<pubDate>Mon, 03 Jan 2011 21:25:00 +0000</pubDate>
		<dc:creator>IAIAGlobalad</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.iaia.edu/?p=4896</guid>
		<description><![CDATA[January 15, 2011 2:00 pm &#8211; 3:00 pm Museum Events Museum of Contemporary Native Arts, Upstairs Classroom In this installment of IN SESSION, Native artist and author-scholar, Lara Evans exchanges ideas with Navajo artist John Feodorov whose work is featured in MoCNA exhibition, VISION PROJECT Gallery Presents Emergence: John Feodorov. Born in Los Angeles of [...]]]></description>
			<content:encoded><![CDATA[<div class="page-restrict-output"><p>January 15, 2011 2:00 pm &#8211; 3:00 pm<br />
<em>Museum Events</em><img src="http://www.iaia.edu/wp-content/uploads/2011/01/feodorov-evans-collage-eml.jpg" border="1" alt="" hspace="10" vspace="5" width="165" height="405" align="right" /></p>
<p>Museum of Contemporary Native Arts, Upstairs Classroom</p>
<p>In this installment of IN SESSION, Native artist and author-scholar, Lara Evans exchanges ideas with Navajo artist John Feodorov whose work is featured in MoCNA exhibition, VISION PROJECT Gallery Presents <em>Emergence: John Feodorov</em>.<span id="more-4896"></span></p>
<p>Born in Los Angeles of mixed Native and European American heritage, John Feodorov spent summers at his grandparent’s homestead in the “White Horse” region of New Mexico. This time spent between the Na&#8230;vajo reservation and the California suburbs of Whittier continues to have an important influence on his work. Feodorov often utilizes pop culture detritus, as well as sound and video, to create what he considers contemporary “sacred” spaces in order to question ideas of spirituality, identity and place. In addition, his paintings and drawings are experiments in creating hybrid mythical iconographies. Feodorov was featured in the first season of the PBS television series, “Art21: Art for the 21st Century” as well as in the companion book published by Harry N. Abrams. He has served as an Arts Commissioner for the City of Seattle and currently teaches as an Assistant Professor of Art at Fairhaven College of Interdisciplinary Studies at Western Washington University in Bellingham Washington. In addition, he is also a musician and songwriter. www.johnfeodorov.com</p>
<p>Lara Evans (Cherokee) is a member of Evergreen State College’s faculty and teaches art history and studio art. Although she has a strong general art history background, her special area of study is contemporary Native American art. Lara Evans received a Ph.D. in Art History from University of New Mexico in Albuquerque. She earned a Master’s of Interdisciplinary Studies at Oregon State University in Art History, Studio Art, and the Intersection of Race, Class, and Gender. Lara is also an artist who is primarily a painter, but also works in other media on occasion.</p>
<p>IN SESSION: Conversations with Contemporary Native Artists and Scholars is an extension of the MoCNA/IAIA’s Vision Project bringing together participating artists, authors, curators, art historians, anthropologists, and cultural workers to discuss their contribution to the project and the field of contemporary Native Arts. In Session conversations support MoCNA’s goal of establishing an indigenous arts discourse that reflects the vibrancy and potency of field at its most current level of activity.</p>
<p>This IN SESSION is free and open to the public. Seating is limited and a reception with the presenters will follow the conversation.</p>
<p>This project is made possible in part by New Mexico Arts, a division of the Department of Cultural Affairs, and the National Endowment for the Arts.</p>
<p>Call 505.428.5907 or email hlocklear@iaia.edu for more information.</p>
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		<title>CLE Feature Test</title>
		<link>http://www.iaia.edu/2010/11/cle-feature-test/</link>
		<comments>http://www.iaia.edu/2010/11/cle-feature-test/#comments</comments>
		<pubDate>Sat, 27 Nov 2010 03:57:03 +0000</pubDate>
		<dc:creator>IAIAGlobalad</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.iaia.edu/?p=3953</guid>
		<description><![CDATA[[caption id="attachment_3790" align="alignnone" width="150" caption="CLE Conference Center"]<img class="size-thumbnail wp-image-3790" title="Copyright Julien McRoberts 2009" src="http://64.78.30.36/wp-content/uploads/2010/08/CLE1pg-150x100.jpg" alt="" width="150" height="100" />[/caption]</p><h4>If You Build It…</h4><p>New Building Transforms Center for Lifelong Education</p><p>The Center for Lifelong Education (CLE) conference center likely holds the designation as the first gold certified LEED building to be built at a tribal college. Besides providing new office space for the CLE staff, the building contains several conference rooms, new offices for student life and a cheery, larger cafeteria for the campus.]]></description>
			<content:encoded><![CDATA[<div class="page-restrict-output"><div id="attachment_3790" class="wp-caption alignnone" style="width: 160px"><img class="size-thumbnail wp-image-3790" title="Copyright Julien McRoberts 2009" src="http://www.iaia.edu/wp-content/uploads/2010/08/CLE1pg-150x100.jpg" alt="" width="150" height="100" /><p class="wp-caption-text">CLE Conference Center</p></div>
<h4>If You Build It…</h4>
<p>New Building Transforms Center for Lifelong Education</p>
<p>The Center for Lifelong Education (CLE) conference center likely holds the designation as the first gold certified LEED building to be built at a tribal college. Besides providing new office space for the CLE staff, the building contains several conference rooms, new offices for student life and a cheery, larger cafeteria for the campus.</p>
<p><span id="more-3953"></span> Pulitzer prize-winning author N. Scott Momaday (Kiowa), whose Buffalo Trust is housed in the new facility, spoke at the November 2009 ribbon cutting for the conference center, as did Dr. Gail McClure, vice president for programs at the W.K. Kellogg Foundation, a key supporter of the Center for Lifelong Education’s programs.</p>
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		<title>Institute of American Indian Arts Archives Acquires Lloyd H. New Papers</title>
		<link>http://www.iaia.edu/2010/11/institute-of-american-indian-arts-archives-acquires-lloyd-h-new-papers/</link>
		<comments>http://www.iaia.edu/2010/11/institute-of-american-indian-arts-archives-acquires-lloyd-h-new-papers/#comments</comments>
		<pubDate>Wed, 24 Nov 2010 22:31:49 +0000</pubDate>
		<dc:creator>Editor</dc:creator>
				<category><![CDATA[IAIA News]]></category>

		<guid isPermaLink="false">http://www.iaia.edu/?p=3934</guid>
		<description><![CDATA[Contact: Ryan Flahive, 505.424.5743 (ph) rflahive@iaia.edu The archives of the Institute of American Indian Arts (IAIA) is proud to announce the acquisition of the Lloyd H. New Papers. New’s widow, Aysen New of Santa Fe, New Mexico, generously donated the collection to IAIA on November 12, 2010. Lloyd H. New, known professionally as Lloyd “Kiva” [...]]]></description>
			<content:encoded><![CDATA[<div class="page-restrict-output"><p>Contact:<br />
Ryan Flahive, 505.424.5743 (ph)<br />
<a href="mailto:rflahive@iaia.edu">rflahive@iaia.edu</a></p>
<p>The archives of the Institute of American Indian Arts (IAIA) is proud to announce the acquisition of the Lloyd H. New Papers. New’s widow, Aysen New of Santa Fe, New Mexico, generously donated the collection to IAIA on November 12, 2010. Lloyd H. New, known professionally as Lloyd “Kiva” New, was hired by the Bureau of Indian Affairs in 1961 as the first art director of IAIA and held the position of president of the Institute from 1968 until his retirement in 1978. The Lloyd H. New Papers will reshape the written history of IAIA and of Indian education in the post-termination period of U.S. Indian affairs.<span id="more-3934"></span></p>
<p>The collection documents in detail New’s activities as an accomplished textile artist in Scottsdale during the 1950s, his lifelong dedication to Indian education and his work at IAIA in various capacities until his death in 2002. New’s various posts as a member of the Indian Arts and Crafts Board and his involvement in the development of the Smithsonian National Museum of the American Indian and Turtle Museum (in Niagara Falls) are also at the forefront of the collection.</p>
<p>A highlight of the New Papers is his body of literary manuscripts. New’s philosophical writings on multicultural education, IAIA, American Indian art and museum development abound within the collection. As the philosophical founder of IAIA, New’s writings on the purpose, goals and future of IAIA are crucial to understanding the unique and experimental nature of the Institute’s curriculum.</p>
<p>Archival processing of the 50 cubic feet of correspondence, reports, publications, manuscripts, speeches, photographs and audio/visual materials may take many months to complete. However, interested researchers may contact the archives to view the preliminary inventory of the New Papers.</p>
<p>For more information on this important collection, please contact Ryan S. Flahive, Archivist at 505.424.2392 or rflahive@iaia.edu.</p>
<p>About IAIA<br />
IAIA’s mission is to empower creativity and leadership in Native arts and cultures through higher education, lifelong learning and outreach.</p>
<p>Offering degrees in studio arts, creative writing, new media arts, Indigenous liberal studies, and museum studies, IAIA is the only college in New Mexico with National Association of Schools of Art and Design accreditation. IAIA is also accredited by the Higher Learning Commission of the North Central Association of Colleges.</p>
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